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Nel 1933, le autorità naziste in Germania erano particolarmente impegnate nel tentativo di convincere tutte le organizzazioni professionali e culturali a uniformarsi all’ideologia e alle politiche del Nazismo (
Le tesi, diffuse tramite cartelloni, attaccavano l’"intellettualismo ebraico", asserivano il bisogno di ?purificare? la lingua e la letteratura tedesche e chiedevano che le università diventassero il centro del nazionalismo germanico. Gli studenti descrissero l’"azione" arrive la risposta a una campagna globale denigratoria organizzata dagli Ebrei contro la Germania e occur l’affermazione dei valori della tradizione tedesca.
People today try to eat some sorts of mollusk. Accumulating and marketing mollusks is vital to the financial system of numerous places alongside seacoasts. On top of that, men and women make jewellery along with other attractive items from mollusk shells. Some varieties of oyster make pearls, which are also used in jewelry.
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o NSDStB), molti dei quali avevano costituito il nucleo originario del movimento nazista e alla fine degli anni Venti riempivano le fila di varie organizzazioni produce dal Nazismo. Nutrite dell’ultra-nazionalismo e antisemitismo della classe media, le organizzazioni studentesche erano condition rumorosamente attive for each decenni.
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Tra gli scrittori le cui opere furono date alle fiamme dagli studenti quella sera ci furono quelle di autori socialisti ben conosciuti come Bertolt Brecht e August Bebel; il padre delle teorie comuniste, Karl Marx; scrittori critici dei valori "borghesi" come l’autore teatrale austriaco Arthur Schnitzler, e le cosiddette "influenze corruttrici straniere", tra le quali l’autore americano Ernest Hemingway.
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Le fiamme distrussero anche molte delle opere di Thomas Mann, vincitore delPremio Nobel nel 1929 e il cui appoggio alla Repubblica di Weimar e critiche al Fascismo avevano provocato le ire dei Nazisti; la stessa wonderful fecero i lavori di Enrich Maria-Remarque, autore di fama internazionale la cui spassionata descrizione della guerra in Niente di nuovo sul fronte occidentale
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La distruzione di libri e altre opere scritte tramite il fuoco costituisce un atto dal valore rituale che ha radici lontane.